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Jazz / Crossover
Jazz / Crossover
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Á´ [466] ¾¦ÉÊÃæ [61-80] ¾¦Éʤòɽ¼¨¤·¤Æ¤¤¤Þ¤¹
SOLDOUT
1959ǯ¤ËȯÇ䤵¤ì¤¿10inch¥»¥«¥ó¥É¥¢¥ë¥Ð¥à¡£¥¢¥é¥ó¡¦¥´¥é¥²¡¼¥ë¡¦¥ª¡¼¥±¥¹¥È¥é¤Î±éÁդȶ¦¤Ë±ðÈþ¤ÊȯÀ¼¡¢¥·¥ã¥ó¥½¥ó¤äʩʸ²½¤È¥é¥Æ¥ó¡¦¥Þ¥ó¥Ü¤½¤·¤Æ¥¸¥ã¥º¤òÍ»¹ç¤µ¤»¤¿²½³ØÊѲ½¤ËÄ©À路¤¿¥²¥ó¥º¥Ö¡¼¥ë½é´üºîÉÊ¡£¿ô¿¤¤Èà¤ÎÁϺîÉʤòé¤ëÃæ¤Ç¤âɬ¿ÜÈפǤ¹¡£Ä¹¤¤´ÖÇÑÈפˤʤäƤ¤¤¿Ëܺî¤Ç¤¹¤¬2001ǯPhillips¤«¤éºÆÈ¯¥ê¥ê¡¼¥¹¡£¥·¥å¥ê¥ó¥¯ÉÕ¤¥Ç¥Ã¥È¥¹¥È¥Ã¥¯(2001)(Ms. S)
2,800±ß(ÆâÀÇ)
ÆüËܤǤο͵¤¤¬¹â¤¤Èà¤Î̾¤òÃÚ¤»¤¿¡ÖSoftly As In A Morning Sunrise¡×¤ò¼ýÏ¿¡£¥¸¥ã¥Ý¥ó¥Ù¥¹¥È¥»¥é¡¼¥º¡ÖCool Struttin'¡×¤ÈƱǯ1958ǯ¤Ë¥ê¥ê¡¼¥¹¤µ¤ì¡¢Paul Chambers,Philly Joe Jones¤ò¥²¥¹¥È¤Ë·Þ¤¨¤¿¡£¡ÖBLP 1500 ¥·¥ê¡¼¥º¡×¹ñÆâÈ׺ÆÈ¯(1972)(Ms. S)
1,500±ß(ÆâÀÇ)
CARL CRAIG¤òÃæ¿´¤Ë¡¢TRIBE¤ÎÁϻϼÔPHIL RANELIN¡¢MARCUS BELGRAVE¡¢WENDELL HARRISON¤Ê¤É70's Black Jazz¤Î¥ê¥Ó¥ó¥°¡¦¥ì¥¸¥§¥ó¥É¤¬½¸¤¦¥æ¥Ë¥Ã¥ÈTRIBE COLLECTIVE¡£¤Þ¤ë¤Ç¡ÖSpace Oddesay¡×¤ò¸½ÂåÈǤ˥¢¥Ã¥×¥Ç¡¼¥È¤·¤¿¤è¤¦¤Ê¥¯¡¼¥ë¤Ê¥µ¥¦¥ó¥É¤ÏTHE DETROIT EXPERIMENT¤Î³ÊԤȤâ¤È¤ì¤Þ¤¹¤Í¡£B¥µ¥¤¥É¤Ë¤ÏCarlos Nino¤Î¥¨¥Ç¥£¥Ã¥È¤ò¼ýÏ¿¡£(2007)
3,800±ß(ÆâÀÇ)
Bill Evans¤Î¥Ô¥¢¥Î¤ÈJim Hall¤Î¥®¥¿¡¼¤¬¸òºø¤¹¤ë¥Ç¥å¥ªÌ¾Èס£¥Ö¥í¡¼¥É¥¦¥§¥¤¤Ç¤Îºî¶Ê¤ò¿¤¯¼ê³Ý¤±¤ëRichard Rodger¤Ë¤è¤ëA1¡ÖMy Funny Valentine¡×¤Î¥«¥ô¥¡¡¼¤ÇËë¤ò³«¤±¤ë¡£Áê¸ßǧ¼±¤ò»ý¤Ã¤¿¤Õ¤¿¤ê¤¬Áê¼ê¤Î±éÁÕ¤ò´¶¤¸¼è¤ê±þ¤¨¤¢¤¦Àè¤Ë¤¢¤ë¤â¤Î¡£ÀŤ«¤ËÍ¥¤·¤¤¥á¥í¥Ç¥£¥é¥¤¥ó¤ÎÃæ¤Ç»É·ãŪ¤Ê¥¤¥ó¥¿¡¼¥×¥ì¥¤¤¬Å¸³«¤µ¤ì¤ë¡£¥ª¥ê¥¸¥Ê¥ë¤Ï1962ǯ¥ê¥ê¡¼¥¹¡£¹ñÆâÈ׺ÆÈ¯¤Ç¤¹(1976)(Ms. S)
2,300±ß(ÆâÀÇ)
50ǯÂå¥Ï¡¼¥É¡¦¥Ð¥Ã¥×¡¦¥Ô¥¢¥Ë¥¹¥È¤È¤·¤Æ³èÌö¤·¤¿Kenny DrewΨ¤¤¤ë¥Ô¥¢¥Î¥È¥ê¥ª¡£A3¡ÖRuby My Dear¡×B3¡ÖBlues For Nica¡×¤Ê¤ÉÈà¤ÎŪ³Î¤Ê¥¿¥Ã¥Á¤ÈÍÛµ¤¤Ê±éÁÕ¤¬¿´ÃϤ褤¡£Duke Ellington¤Î̾¶ÊA1¡ÖCaravan¡×¤Ç¤Ï¥È¥ê¥ª¤¬³èÎϤ˰î¤ìݤ±þ¤¨È´·²¤Ç¤¹¡£1956ǯ¥Ë¥å¡¼¥è¡¼¥¯¤Ë¤ÆÏ¿²»¡£¹ñÆâÈ׺ÆÈ¯¤Ç¤¹¡£(1974)(Ms. S)
3,800±ß(ÆâÀÇ)
1959ǯBill Evans¤ÏPaul Motian,Scott LaFaro¤ò¥á¥ó¥Ð¡¼¤Ë·Þ¤¨¥Ô¥¢¥Î¥È¥ê¥ª¤ò·ëÀ®¡£¥Æ¡¼¥Þ¤Î¥³¡¼¥É¿Ê¹Ô¤ò¥Ô¥¢¥Î¡¢¥Ù¡¼¥¹¡¢¥É¥é¥à¥¹¤¬Â¨¶½±éÁդDz»¤òˤ¤¤Ç¤æ¤¯ÆÈÆÃ¤Ê±é½Ð¤¬¿Íµ¤¤ò½¸¤á¤¿¡£Ëܺî¤Ï¥Ë¥å¡¼¥è¡¼¥¯¤Ï¡Ö¥ô¥£¥ì¥Ã¥¸¡¦¥ô¥¡¥ó¥¬¡¼¥É¡×¤Ç¹Ô¤ï¤ì¤¿¥é¥¤¥Ö¼ýÏ¿Èס£(1975)(Ms. S)
2,800±ß(ÆâÀÇ)
¥¢¥á¥ê¥«¤Î¥¸¥ã¥º¥Ô¥¢¥Ë¥¹¥ÈJunior Mance¤Ï10ºÐ¤Îº¢ÂåÍý¤È¤·¤Æ½Ð±é¤·¤¿¥·¥«¥´¤Ç¤Î¥¹¥Æ¡¼¥¸¤«¤é¥¥ã¥ê¥¢¥¹¥¿¡¼¥È¡£1960ǯ¤Ë¤Ï¼«¸Ê¤Î¥È¥ê¥ª¤ò·ëÀ®¤·¡Ö¥ô¥£¥ì¥Ã¥¸¡¦¥ô¥¡¥ó¥¬¡¼¥É¡×¤ä¡Ö¥Ð¡¼¥É¥é¥ó¥É¡×¤È¤¤¤Ã¤¿¥È¥Ã¥×¥¯¥é¥¹¤Î¥¸¥ã¥º¡¦¥¯¥é¥Ö¤Ë½Ð±é¤·¤¿¡£·Ú²÷¤Ê¼ê¤µ¤Ð¤¤ÇÈà¤Î¥Ö¥ë¡¼¥¹¡¢¥½¥¦¥ë¥Õ¥ë¤¬À乥Ĵ¤ÊËܺMilestone¤è¤êºÆÈ¯(1974)(Ms. S)
SOLDOUT
Bill EvansΨ¤¤¤ë¥¯¥¤¥ó¥Æ¥Ã¥È¤Ï¡¢Harold Land,Ray Brown,Kenny Burrell,Philly Joe Jones¤È¥Ù¥Æ¥é¥ó¥×¥ì¥¤¥ä¡¼¤ò·¤¨¤¿¥ª¡¼¥ë¥¹¥¿¡¼¥»¥Ã¥·¥ç¥ó¡£Bill Evans¤È¥Ù¡¼¥¹¤ÎRay Brown¤Ï½é´é¹ç¤ï¤»¤È¤Ê¤ë¥ì¥³¡¼¥Ç¥£¥ó¥°¤À¤Ã¤¿¤è¤¦¤Ç¡¢¤¸¤Ã¤¯¤ê¤Èݤ«¤»¤ë½ÏÎý¼Ô¤¿¤Á¤Î²½³ØÊѲ½¤ò´®Ç½¤Ç¤¤ë¡£Fantasy¤è¤ê¥×¥ì¥¹¤µ¤ì¤¿¥¨¥ô¥¡¥ó¥¹¸å´üºîÉÊ¡£¹ñÆâºÆÈ¯Èס£ÈþÉʤǤ¹¡£(1977)(Ms. S)
1,200±ß(ÆâÀÇ)
Phil Woods¤È¶¦¤Ë2¥¢¥ë¥È¡¦¥µ¥Ã¥¯¥¹¡¦¥Á¡¼¥à¡Ö¥Õ¥£¥ë&¥¯¥¤¥ë¡×¤ò·ëÀ®¡£Gene QuillñÆÈ¤Ç¤ÏÄÁ¤·¤¤¥ê¡¼¥À¡¼¥¢¥ë¥Ð¥à¡£Frank Rehak , Jim Dahl , JimmyCleveland¤ÈÅö»þºÇ¹â¤Î¥È¥í¥ó¥Ü¡¼¥óÁÕ¼Ô3¿Í¤¬½¸·ë¡£¥ª¥ê¥¸¥Ê¥ë¤Ï1959ǯ¥ê¥ê¡¼¥¹¡£°ÂÄê´¶¤Î¤¢¤ë·Ú¤ä¤«¤Ê±éÁդˡ¢50ǯÂå¥Ë¥å¡¼¥è¡¼¥¯¡¦¥â¥À¥ó¥¸¥ã¥º¤Î¶õµ¤¤¬´¶¤¸¤é¤ì¤ë¡£¹ñÆâÈ׺ÆÈ¯¤Ç¤¹¡£(1973)(Ms. S)
2,800±ß(ÆâÀÇ)
¥¸¥ã¥º¡¦¥Ô¥¢¥Ë¥¹¥ÈJimmy Rowles¤È¥³¥ó¥È¥é¥Ð¥¹ÁÕ¼ÔRed Mitchell¤¬¶¦±é¤·¤¿¥«¥ë¥Æ¥Ã¥ÈÊÔÀ®¥¢¥ë¥Ð¥à¡£Colin Bailey, Stacy Rowles¤¬»²²Ã¡£Good Time Jazz¤Î¥µ¥Ö¥ì¡¼¥Ù¥ë¤Ç¤¢¤ê¡¢¥¢¡¼¥È¡¦¥Ú¥Ã¥Ñ¡¼¡¢¥Á¥§¥Ã¥È¡¦¥Ù¥¤¥«¡¼¤Ê¤É¤¬½ê°¤·¤Æ¤¤¤¿Contemporary Records¤è¤ê1987ǯ¥ê¥ê¡¼¥¹¡¢¥ª¥ê¥¸¥Ê¥ëÈפǤ¹¡£MITSUBISHI X-80¥Ç¥¸¥¿¥ë¤ÇÏ¿²»¡£(1987)(Ms. S)
3,200±ß(ÆâÀÇ)
¡Ö¸É¹â¤Î¥Ô¥¢¥Ë¥¹¥È¡×¤È¾Î¤µ¤ì¤ëMal Waldron¤Ê¤é¤Ç¤Ï¤Î¥¢¥¯¤Î¶¯¤¤»Å³Ý¤±¤¬»¶¤ê¤Ð¤á¤é¤ì¤¿¥ª¥ê¥¸¥Ê¥ëºî¶Ê¥¢¥ë¥Ð¥à¡£Eric Dolphy,Booker Ervin¤¬»²²Ã¡£¥¸¥ã¥º»Ë¾å¤Ë»Ä¤ë̾±é¤È¤¤¤ï¤ì¤ë1961ǯ¥Ë¥å¡¼¥è¡¼¥¯¤Ï¡Ö¥Õ¥¡¥¤¥Ö¡¦¥¹¥Ý¥Ã¥È¡×¤Ë¤ÆEric Dolphy¤È¥»¥Ã¥·¥ç¥ó¤·¤¿B3¡ÖFire Waltz¡×¤ò¼ýÏ¿¡£¹ñÆâÈ׺ÆÈ¯¤Ç¤¹¡£(1978)(Ms. S)
1,500±ß(ÆâÀÇ)
1956ǯ¤Î¥Ë¥å¡¼¥Ý¡¼¥È¡¦¥¸¥ã¥º¡¦¥Õ¥§¥¹¥Æ¥£¥Ð¥ë¤Ç¤Î±éÁÕ¡ÖDiminuendo and Crescendo in Blue¡×¤¬µ²±¤Ë»Ä¤ëPaul Gonsalves¡£Duke Ellington¤ÎÌç²¼À¸¤Ç¤¢¤ëÈबΨ¤¤¤ë¥«¥ë¥Æ¥Ã¥È¤Ë¤ÏSam Jones,Nat Adderley,Jimmy Cobb,Wynton Kelly¤¬»²²Ã¡£1961ǯJazzland¤è¤ê¥ê¥ê¡¼¥¹¡£USÈ׺ÆÈ¯(1985) (Ms. S)
SOLDOUT
¥¸¥ã¥º¥Ô¥¢¥Ë¥¹¥ÈHank Jones , ¥¦¥Ã¥É¥Ù¡¼¥¹Red Mitchel¤È¤Î¥Ç¥å¥ª¥¢¥ë¥Ð¥à¡£¥Õ¥¡¥é¥ª¡¦¥µ¥ó¥À¡¼¥¹¡¢¥ë¡¼¡¦¥É¥Ê¥ë¥É¥½¥ó¤Î¥ê¥ê¡¼¥¹¤Ç¸½Âå¤Ç¤âÃíÌܤΥ¸¥ã¥º¥ì¡¼¥Ù¥ë¤È¤Ê¤Ã¤¿Timeless Records¡¢1987ǯ¥ê¥ê¡¼¥¹¡£½ÏÎý¼Ô¤Ë¤è¤ë°ÂÄꤷ¤¿±éÁդǥê¥é¥Ã¥¯¥¹¤·¤¿Ê·°Ïµ¤¤¬´¶¤¸¼è¤ì¤Þ¤¹¡£¥ª¥é¥ó¥ÀÈ×¥ª¥ê¥¸¥Ê¥ë¡£(1987) (Ms. S)
1,200±ß(ÆâÀÇ)
Lee Konitz,Ron Carter,Mousey Alexander,Sal Mosca¤Ë¤è¤ë¡¢¤Þ¤µ¤Ë¥¢¥ë¥È¥µ¥Ã¥¯¥¹¤¬ºÝΩ¤Ä¥·¥ó¥×¥ë¤Ê¥«¥ë¥Æ¥Ã¥ÈÊÔÀ®¡£¥Ô¥¢¥Ë¥¹¥ÈSal Mosca¤È¤ÎÁêÀ¤¬Îɤ¯¡¢ÀöÎý¤µ¤ì¤¿¥Ç¥å¥ª¥»¥Ã¥·¥ç¥ó¤¬¿´ÃÏÎɤ¤¡£1972ǯϿ²»USÈ׺ÆÈ¯¡£Ç¯Âå¤ÏÉÔÌÀ¤Ç¤¹¡£(Ms. S)
SOLDOUT
¥¸¥ã¥º¡¦¥á¥Ã¥»¥ó¥¸¥ã¡¼¥º¤ËºßÀÒ¤·¤Æ¤¤¤¿¥µ¥Ã¥¯¥¹ÁÕ¼ÔJackie McLean¤Ë¤è¤ëPrestige¤«¤é¤Î¥Ç¥Ó¥å¡¼ºîÉÊ¡£¥¿¥¤¥È¥ë¤ÎÄ̤ê¥é¥¤¥È¥¢¥¦¥ÈË¡¤ò¼è¤êÆþ¤ì¤Æ¤ª¤êA1¡ÖLights Out¡×¤äB1¡ÖA Foggy Day¡×¤Ê¤É°¥½¥¤¢¤ë±éÁÕ¤ÎÃæ¤Ë¾ÃÅô¤Ã¤Æ¤Á¤ç¤Ã¤È¤ï¤¯¤ï¤¯¤¹¤ë¤è¤Í¡£¤Ê·Ú²÷¤µ¤â´¶¤¸¤é¤ì¤Þ¤¹¡£Donald Byrd¤Î¤«¤¹¤ìµ¤Ì£¤Ê¹â²»¥×¥ì¥¤¤¬½Â¤¤¡£Elmo Hope,Doug Watkins,Art Taylor¤¬»²²Ã¡£¥ª¥ê¥¸¥Ê¥ë¤Ï1956ǯ¥ê¥ê¡¼¥¹¡£USÈ׺ÆÈ¯¤Ç¤¹(1990)(Ms. S)
SOLDOUT
1956ǯBlue Note¤«¤é¥ê¥ê¡¼¥¹¤·¤¿¥Ï¥â¥ó¥É¥ª¥ë¥¬¥óÁÕ¼ÔJimmy Smith¤Î¥á¥¸¥ã¡¼¥Ç¥Ó¥å¡¼Èס£Â¸°Èפò·Ú¤¯½³¤Ã¤Æ²»Äø´¶¤Î¤Ê¤¤¥¢¥¯¥»¥ó¥È¤ò¤Ä¤±¥¦¥Ã¥É¥Ù¡¼¥¹¤Î¤è¤¦¤Ê²»¿§¤Ë¤¹¤ëÆÈ¼«¤Î¼êË¡¤Ï¡¢°Ê¹ß¿ô¡¹¤Î¥ª¥ë¥¬¥óÁÕ¼Ô¤¿¤Á¤¬¤ª¼êËܤˤ·¤Þ¤·¤¿¡£¥µ¥Ý¡¼¥È¥á¥ó¥Ð¡¼¤Ë¤ÏThornel Schwartz,Bay Perry¤¬»²²Ã¡£¥Ó¥Ð¥Ã¥×¤ÎÃæ¤Ç¤â¥Ö¥ë¡¼¥¹¥¸¥ã¥º¤¬¿§Ç»¤¯Ä°¤±þ¤¨¤Î¤¢¤ë1Ëç¡£¹ñÆâºÆÈ¯ÈþÉʤǤ¹(1978)(Ms. S)
SOLDOUT
ÆüËܤǤο͵¤¤¬¹â¤¤Èà¤Î̾¤òÃÚ¤»¤¿¡ÖSoftly As In A Morning Sunrise¡×¤ò¼ýÏ¿¡£¥¸¥ã¥Ý¥ó¥Ù¥¹¥È¥»¥é¡¼¥º¡ÖCool Struttin'¡×¤ÈƱǯ1958ǯ¤Ë¥ê¥ê¡¼¥¹¤µ¤ì¡¢Paul Chambers,Philly Joe Jones¤ò¥²¥¹¥È¤Ë·Þ¤¨¤¿¡£¡ÖBLP 1500 ¥·¥ê¡¼¥º¡×USÈ׺ÆÈ¯(1972)(Ms. S)
SOLDOUT
¡ÖDizzy¡×¤Î°¦¾Î¤Ç¿Æ¤·¤Þ¤ì¿ô¡¹¤Î̾ºî¤ò¿á¤¹þ¤ó¤ÀJOHN BIRKS 'DIZZY' GILLESPIE¤Î¸å´ü¡¢¥¸¥ã¥º¥Õ¥¡¥ó¥¯Ì¾ºî¡£¡ÖMatrix¡×¤¬¥µ¥ó¥×¥ê¥ó¥°¥½¡¼¥¹¤È¤·¤ÆÍ̾¤Ç¤¹¤¬¡¢Â¾±éÁÕ¤â´Ö°ã¤¤¤Ê¤¯¥ì¥¢¥°¥ë¡¼¥ô²ò¼á¤Ç¥×¥ì¥¤²Äǽ¤Ê¶¯¿Ù¤Ê¥¸¥ã¥º¥Õ¥¡¥ó¥¯¡Á¥½¥¦¥ë¥¸¥ã¥º¤Ê¥Ó¡¼¥È¡¢âÁÚô¤ò³Ð¤¨¤ë¹¶¤á¤Î¥È¥é¥ó¥Ú¥Ã¥È¡£Â¿³ÑŪ¤Ë¥µ¥¤¥±¥Ç¥ê¥Ã¥¯¤ä¥Õ¥¡¥ó¥¡¼¤ÊÍ×ÁǤòÀ¹¤ê¹þ¤àPhil Upchurch»²²Ã¤â¤³¤Î¥¢¥ë¥Ð¥à¤ËÍ¿¤¨¤¿±Æ¶Á¤ÏÂ礤¤¤Î¤Ç¤Ï¡£Ì¾È×ÈþÉÊ¡¢US¥×¥ì¥¹¡£(1970)
SOLDOUT
ÆüËܤòÂåɽ¤¹¤ë¥Ó¥Ã¥°¥Ð¥ó¥É¡¢¡ÖMonterey Jazz Festival 1974¡×¤Ë½Ð±é¤ÎºÝ¤ËµÇ°¤È¤·¤ÆTBM¤«¤é¥ê¥ê¡¼¥¹¤µ¤ì¤¿Èס£¥¸¥ã¥±¥Ã¥È¤Î¥¹¥Æ¡¼¥¸°áÁõ¤«¤é¤âÁÛÁü¤Ç¤¤ëÏÂÍÎÀÞÃï¤Î¥Ó¥Ã¥°¥Ð¥ó¥É¤È¤·¤ÆÂ¸Ê¬¤Î°ÒÎϤò»ý¤Ã¤¿Ï¿²»¡£¤â¤Á¤í¤ó¥µ¥ó¥×¥ê¥ó¥°¥½¡¼¥¹¤ä¥ì¥¢¥°¥ë¡¼¥ô¥Ç¥£¥¬¡¼¤´ÍÑã¤ÎÈפȤ·¤Æ¤âÃΤé¤ì¤Æ¤¤¤Þ¤¹¡£¡ÖSNIPER'S SNOOSE¡×¤ÏÆÃ¤Ë¿Íµ¤¡£¡Ö¿¶Âµ¡×¤ä¡Ö²ÏƸ»í¾ð¡×¤â¤³¤ÎÏ¿²»¤ÎÂé¸ïÌ£¡£¸½ºß¤â¡ÖµÜ´ÖÍøÇ·¥Ë¥å¡¼¥Ï¡¼¥É¡×¤È¸Æ¾Î¤òÊѤ¨¡¢°ú¤·Ñ¤¬¤ì¤Æ¤¤¤ë̾Ìç¤Ç¤¹¡£(1974)
6,800±ß(ÆâÀÇ)
ÅÔ»Ô¥»¥ó¥¿¡¼¥Û¡¼¥ëTHREE BLIND MICE ¼çºÅ 5 DAYS IN JAZZ ¥³¥ó¥µ¡¼¥ÈÏ¿²»Èס£Ë®Âê¤Ï¥×¥í¥í¡¼¥°¤Î¡ÖÊé¾ð¡×¡£Â³¤¤¤Æ¡Ö¸ÏÍաס¢Wynton Kelly¤ËÊû¤²¤¿¥ª¥ê¥¸¥Ê¥ë¡ÖBlues For Wynton Kelly¡×¡¢Duke Ellington¡ÖPerdido¡×¤Ï18ʬͤ¨¤ÎÇ®±é¡¢B¥µ¥¤¥ÉÁ´¤Æ»È¤Ã¤Æ¼ýÏ¿¡£ÆüËܶþ»Ø¤Î¥Ô¥¢¥Ë¥¹¥È¤È¸Æ¤Ð¤ì¤Ê¤¬¤éÍ£°ì¤Î¥ê¡¼¥À¡¼ºî¤È¤·¤Æ¤âÃΤé¤ì¤Æ¤¤¤Þ¤¹¡£TBM¥«¥¿¥í¥°¤ÎÃæ¤Ç¤âµ®½Å¤ÊÏ¿²»¤Ç¤Ï¡£(1974)
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Á´ [466] ¾¦ÉÊÃæ [61-80] ¾¦Éʤòɽ¼¨¤·¤Æ¤¤¤Þ¤¹
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